Blaenavon and Ben Gregory speak eloquently about mental health on their solid second album ‘Everything That Makes You Happy’.
Perfectly capturing the human experience of love, heartache and the struggle for autonomy, Julia Jacklin’s sophomore album ‘Crushing’ is an emotional triumph.
Dabbling further in electronics and with the rougher, more lo-fi end of indie, Hippo Campus waste no time in delivering a follow-up to last year’s debut album.
Rosa Walton and Jenny Hollingworth deliver a mature and inventive follow-up to a brilliant debut with the second Let’s Eat Grandma album ‘I’m All Ears’.
Pop music’s most talked-about background figure SOPHIE gives us a glimpse of the artist behind the enigma with a thrilling and hyper-real debut album ‘Oil Of Every Pearl’s Un-Insides’.
Foals’ debut album ‘Antidotes’ is far from their creative peak, but the sonic template it laid down has dominated British indie for the last 10 years.
Gengahr’s second album ‘Where Wildness Grows’ shows some progression on their pleasant, shoegaze-inflected indie-pop formula.
If you have followed Poliça on their discography thus far then this is yet another interesting addition. However, ‘Music For The Long Emergency’ fails as frequently as it succeeds, leaving those unfamiliar to the Minneapolis band’s work little reason to listen now.
Joyous, highly melodic indie power-pop from Toronto’s Alvvays on their second album ‘Antisocialites’.
Minnesotan indie four-piece Hippo Campus’ debut album ‘landmark’ lives up to the sterling live reputation they’ve built themselves over the last four years.
