Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
While it may dwell in ‘Parklife’s shadow in terms of its wider popularity, ‘Modern Life Is Rubbish’ is the most indispensable album of Blur’s career, and formed a key thematic plank for Britpop.
by Ed Biggs The announcement of the first Blur album in over a decade, and the first with Graham Coxon since 1999, was one of the biggest music news stories of the first part of 2015. We’d had the big reunion (two of them), the emotional catharsis, the burying of hatchets, and for many, that would have been enough. But the existence of The Magic Whip seems to have solidified the
With only a couple of days to go until the release of The Magic Whip, their first album in 12 years and first since 1999 with Graham Coxon, what better time to look back at the history of Blur. Starting life at a shambolic yet entertaining art-rock band called Seymour, they signed to indie label Food Records and released their first single ‘I Know / She’s So High’ in October
by Ed Biggs Last Thursday’s announcement of a new Blur album triggered an avalanche of excited social media reaction. Not only are they the most fondly-remembered band from the Britpop era alongside their great rivals Oasis, but they left behind a body of work that, by and large, has stood up to the test of time. Their summer reunion tours of 2009 and 2012 are the stuff of legend, but