‘Scatter The Rats’, the first L7 album in 19 years, still packs the punk thrills of old in places but isn’t a great representation of their true power overall.
Delivered at a stable pace and focussed on songwriting, ‘U.F.O.F.’ is the most expansive Big Thief album yet.
Long but exceptionally fresh, bright and upbeat, Vampire Weekend return after a six-year hiatus with double album ‘Father Of The Bride’.
In the spirit of all the best post-punk, Drahla’s long-awaited debut album ‘Useless Coordinates’ suggests limitless possibility.
On ‘CrasH Talk’, ScHoolboy Q reflects on a decade in the rap game with a more mature effort, despite some unnecessary filler.
Full of cryptic imagery and vivid storytelling, ‘Designer’ sees Aldous Harding journey even further down the path that’s made her so celebrated already.
Having dropped his Chet Faker moniker five years ago, Nick Murphy finally returns with a reinvention of sorts in ‘Run Fast Sleep Naked’.
Exploring church music and the nature of faith in the modern world, ‘Oh My God’ is yet another excellent album in Kevin Morby’s catalogue.
Local Natives’ fourth album ‘Violet Street’ is a much freer expression of their talents than any of their other records.
A loose concept album of hope and strength in the face of disillusionment, Bridie Monds-Watson’s second SOAK album ‘Grim Town’ is a leap forwards.
