An exhilarating 22-minute blast of bizarre and inventive fun, ‘FM!’ might be a detour in the journey of Vince Staples but shows exactly what music ought to be in 2018.
Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
At its best, ‘Suspiria’ is the most fractured and unsettled work that Thom Yorke has ever produced.
Although it’s brief, Public Service Broadcasting remain on top form with their latest EP ‘White Star Liner’, a moving evocation of the construction, sinking and discovery of the Titanic.
Robyn is back, at long last, breathing fresh air into pop music with her first album in eight years, and ‘Honey’ only shows how much her presence was needed.
Vaporwave pioneers Stardazer dazzle with another great EP of retro-futurism in ‘Hong Kong Memories’.
Greta Van Fleet explore ’70s rock more broadly and expertly than some critics have admitted, but ‘Anthem Of The Peaceful Army’ is a pretty shallow experience.
After such a mesmerising debut, Lorely Rodriguez’s second Empress Of album ‘Us’ loses much of its predecessor’s identity in a headlong rush for mainstream quality.
Regaining the screaming, cathartic impetus they had lost the last time out, Dylan Baldi’s Cloud Nothings hit top form with fifth album ‘Last Building Burning’.
MØ once again proves that she’s fully capable of creating exciting music of her own, beyond collaborations with famous DJs and producers.