On sixth album ‘2020’, Richard Dawson narrates our modern, hyper-branded, anxious and rushed world.
On her fourth album ‘All Mirrors’, Angel Olsen effortlessly evolves into a synth-rock queen, embracing emotional turbulence and upheaval.
A curious, diverse yet vaguely conceptual album designed to be picked apart for personal playlists, ‘Metronomy Forever’ sees Joseph Mount enter yet another new phase.
A concept album about girl vampire bikers in Eighties’ L.A., Natasha Khan’s fifth Bat For Lashes album ‘Lost Girls’ is her most all-encapsulating work yet.
‘Grace’, the sole completed album by the iconic Jeff Buckley before his untimely death at the age of 30, still stands up as a universally relatable yet highly personal record.
Justin Vernon’s fourth Bon Iver album ‘i, i’ emphasises the balance that needs to be struck between community and the individual, and is his warmest music yet.
A sun-drenched Thursday afternoon at Halifax’s Piece Hall brought the ever-needed, laid-back yet endlessly entertaining blessing of Mac DeMarco.
Presenting a fully formed 21st century pop icon to the world in the form of Florence Welch, ‘Lungs’ is one of the Noughties’ great debut albums.
Mattiel’s second studio album ‘Satis Factory’ doesn’t dwell much on detail but delivers on nostalgia-infused garage rock.
Hannah Rodgers blooms as a writer and claims an identity and sound of her own with her second Pixx album ‘Small Mercies’.
