‘1, 2, Kung Fu!’, the debut effort from Welsh band Boy Azooga, is an enjoyable indie debut splattered with electronica and psychedelia.
Eclectic yet completely coherent, Neko Case’s eighth solo album ‘Hell-On’ is a triumph for female storytelling in modern music.
‘LUMP’, a collaboration between Laura Marling and Tunng’s Mike Lindsay, feels like you’re right in the studio amid the exchange of ideas.
Josh Tillman’s fourth Father John Misty album ‘God’s Favorite Customer’ marks a new chapter in his career, channelling his wit and self-deprecation into his most emotionally brutal record yet.
‘ye’ is archetypal and iconic in its own way – but it makes for kind of a dreary listen, a word usually applied last to anything Kanye West produced.
Daniel Lopatin’s latest Oneohtrix Point Never album ‘Age Of’ almost defies categorisation entirely, an enjoyable mess of musical and thematic contradictions.
Ben Howard’s third record ‘Noonday Dream’ sees him explore lengthier and ever more sombre songwriting, but it retains the charming and compelling qualities that made him a star many years ago.
On ‘Midnight Marker’, Shy Layers makes clear use of his visual artist ethos to present us with a sort-of muzak of excellent craftsmanship.
Snow Patrol return after a seven-year hiatus with their most surprisingly powerful and emotionally resonant work ever.
Despite a clutch of future fan favourites and decent singles, Chvrches’ ambitious third record ‘Love Is Dead’ is disappointingly flat and slow-paced.
