An accomplished debut album of understated, atmospheric folk-rock from Philadelphian Lily McKown that leaves space for future growth.
A return to form, Biffy Clyro’s eclectic eighth album ‘A Celebration Of Endings’ suggests a number of possible futures.
A gorgeous, reflective paean to murdered Chilean musician and activist Victor Jara, James Dean Bradfield’s new solo album ‘Even In Exile’ is an understated gem.
Songs designed for the live arena translate solidly to record on Sea Girls’ debut ‘Open Up Your Head’.
After 17 years, Phil Elverum resurrects The Microphones for a beguiling, cryptic album consisting of one long track.
For every win on Glass Animals’ eclectic third album ‘Dreamland’, there’s another moment of excruciating cringe.
‘Purple Noon’ sees Ernest Greene taking few risks with his Washed Out sound, but the results are nonetheless pleasing.
Albums written predominantly on the road rarely work, but Fontaines D.C.’s quick-fire second album ‘A Hero’s Death’ is a sparkling exception.
Thea Gustafsson’s Becky And The Birds project is one that promises great things, if latest EP ‘Trasslig’ is anything to go by.
The biggest evolutionary leap in their sound yet, Cub Sport’s fourth album ‘Like Nirvana’ works best at its boldest.
