Well over three decades into their career, J Mascis and Dinosaur Jr. give fans more of what they want on 12th album ‘Sweep It Into Space’.
On ‘Flat White Moon’, the Brewis brothers smooth out some of their sharper edges, but they don’t lose too much of their intelligence or personality in the process.
Easy-going bedroom indie-pop par extraordinaire, there’s absolutely everything right about Tomemitsu’s gorgeous ‘Sun’.
London Grammar bust out of the monotony of their first two albums with ‘Californian Soil’, their most vivid, experimental and powerful project yet.
A chilled and easy-going mix of folk, pop and indie, ‘Music’ will hopefully be a breakout moment for Mac DeMarco-approved Benny Sings.
Processing other bands’ better ideas without originality, The Snuts’ debut album ‘W.L.’ is as landfill as indie can get.
Dry, inventive and intelligent, Dry Cleaning’s ‘New Long Leg’ represents one of British post-punk’s most promising debut albums in years.
Delicate, polished but ultimately a bit anonymous, ‘DEACON’ loses its identity in Josiah Wise’s pursuit of perfection.
While it houses some real gems in its first half, Ben Howard’s fourth album ‘Collections From The Whiteout’ feels long-winded and occasionally directionless.
Inventive, energetic avant-pop bears up heavy thematic material on Tune-Yards’ dense latest effort ‘sketchy.’.
