The almost-reformed Smashing Pumpkins return with what is, perhaps, their most off-kilter album yet.
A key marker in the evolution of the British post-punk and goth scenes, Siouxsie & The Banshees’ 1978 debut album ‘The Scream’ is brilliantly and darkly compelling.
It’s very much business as usual on Dinosaur Jr. frontman J Mascis’ latest solo offering ‘Elastic Days’ – and that’s a really great thing.
The three new tracks that make up Little Dragon’s latest EP, ‘Lover Chanting’, contain all the traits that make them special but don’t advance their sound.
A collaborative effort between Julien Baker, Phoebe Bridgers and Lucy Dacus, ‘boygenius’ is an imperious display of empathy and brilliant songwriting.
When you think that ‘Simulation Theory’ is the work of the same band that once did ‘Origin Of Symmetry’, you realise how depressingly cynical Muse have become.
London-based indie-punk quarter Fightmilk deliver a solid debut album that shows great promise for future evolution with ‘Not With That Attitude’.
An exhilarating 22-minute blast of bizarre and inventive fun, ‘FM!’ might be a detour in the journey of Vince Staples but shows exactly what music ought to be in 2018.
Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
At its best, ‘Suspiria’ is the most fractured and unsettled work that Thom Yorke has ever produced.
