Smashing Pumpkins’ ambition exceeds their grasp on ‘CYR’, but at least it’s admirably and respectably different for them.
The almost-reformed Smashing Pumpkins return with what is, perhaps, their most off-kilter album yet.
Released 25 years ago, ‘Siamese Dream’ turned Smashing Pumpkins from stars of the independent scene to the nerve-centre of America’s rock mainstream.
by Ed Biggs Any discussion of Smashing Pumpkins’ career tends to get dominated by their twin masterpieces, Siamese Dream (1993) and Mellon Collie And The Infinite Sadness (1995). Which is fair enough, as these are unquestionably two of the greatest alternative rock records of the nineties, testament to Billy Corgan’s unique vision for heavy rock, but crucial in explaining those albums’ successes is the group’s debut Gish.
by Ed Biggs While the commercial pomp and circumstance of Britpop was in full flow on the other side of the Atlantic in 1995, the biggest American guitar acts of the day were turning inwards, away from their audiences and exploring the limits of their own talents, not necessarily with any regard to what critics or fans thought about them. Pavement’s sprawling Wowee Zowee, Pearl Jam’s difficult but ultimately rewarding Vitalogy