by Ed Biggs While the commercial pomp and circumstance of Britpop was in full flow on the other side of the Atlantic in 1995, the biggest American guitar acts of the day were turning inwards, away from their audiences and exploring the limits of their own talents, not necessarily with any regard to what critics or fans thought about them. Pavement’s sprawling Wowee Zowee, Pearl Jam’s difficult but ultimately rewarding Vitalogy
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