‘Nightmare Forever’ is a vivid and colourful album of psychedelic rock from Nolan Potter’s Nightmare Band.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Their second album in 18 months, ‘Beneath The Floors’ sees Canadian art-punks Deliluh getting even more confident in their lyrics and music.
A compelling delve into the psyche of FKA twigs as well as an exploration of being human, ‘Magdalene’ is Tahliah Barnett’s second masterpiece.
Seething with anger aimed at politics and society, Kele Okereke’s latest solo album ‘2042’ is a hell of a lot to internalise during one sitting.
A 10-track overview of Underworld’s year-long ‘Drift’ multimedia project, this necessarily imperfect collection contains some of the band’s best work of the last 20 years.
With a wider sonic palette and stunning production values, ‘Fibs’ makes a fine successor to Anna Meredith’s award-winning ‘Varmints’.
Some aspects of ‘Surviving’ might make it alarming for long-term fans, but the record is one of Jimmy Eat World’s most quietly innovative.
Laetitia Tamko’s second Vagabon album takes the arresting vision of her 2017 debut and explodes it into something grander.
Although they’re now reduced to a two-piece, the fourth Battles album ‘Juice B Crypts’ is a madcap yet concise return to form.
