In a sentence:
Although they’re now reduced to a two-piece, the fourth Battles album ‘Juice B Crypts’ is a madcap yet concise return to form.
Complexity often makes engaging with music difficult, after
all it is hard to get along with weirdness. But this latest release from the
now two-piece Battles is complex and experimental, yet it never feels
weird, despite pushing the boundaries in places. Guitarist Ian Williams and
drummer John Stanier have really come into their own on Juice B Crypts,
matching their driving rock drumbeats with their now more prominent electronic
sounds that seem to create a controlled chaos that can be described as nothing
other than joyous.
With catchy beats that grab you from the get-go, this fourth
album has brought a whole new groove to their music. ‘Ambulance’, the opening track
of the record, begins as if in a child’s game, the shimmering major tones
flying around your ears like you’re in an 8-bit universe (a theme that returns
throughout the album). But this quickly fades into business as usual for the
New York duo, throwing you headfirst into a sonic concoction that you can’t
help but move your feet to. ‘They
Played It Twice’, a highlight of the album, tempts you to skip the track
due to its piercingly sharp synths – but the beautiful voice of Xenia Rubinos,
a genre-blending singer songwriter from NYC, softens the jagged soundscape.
Just as you think you’ve had enough, the beat hits and damn does it hit well.
The swelling sounds heard in ‘A Loop
So Nice…’ are now complimented with another movement-enthusing beat that
you just have to bob your head to.
An array of featuring artists from various musical backgrounds adds another dimension to Juice B Crypts, something that perhaps contributed to the relative flatness of their previous outing La Di Da Di. The artists seem to blend perfectly into each track, never seeming to take centre stage but just simply working in harmony with the music. A perfect example of this is in ‘IZM’ alongside experimental hip-hop act Shabazz Palaces, where you would expect the vocals to take centre stage on the track. But the constantly evolving synth tones keep you glued to the backing track, trying to make sense of the oscillating polyphonic rhythms. Like many other tracks on Juice B Crypts, ‘IZM’ seems to take so many twists and turns, with the next rhythm or time signature change always being just around the corner, ready to catch you off guard.
The perfect way to describe Juice B Crypts would be
to simply look at its artwork. It’s a bright cheerful album at heart, but is
not put together in complete conformity, with some parts fitting in as you
would expect and others challenging your ears. It can at times seem like a
mess, barely clinging to the limits of rhythm and key, but this only seems to
compliment the chaotic nature of this record. Many fans of Battles were very
disappointed to see guitarist and bassist Dave Konopka leave the band last
year, leaving the creative core diminished. But, by the looks of things, it has
worked exceedingly to their advantage, finally marrying experimental and
accessible music for the masses to enjoy. (7/10) (Ali McCarthy)
Listen to Juice B Crypts by Battles here via Spotify, and tell us what you think below!
Tags: album, Ali McCarthy, Ian Williams, John Stanier, Juice B Crypts, review, Warp
More confident and stylised than their debut, the emotional depth…
Smokepurpp's latest mixtape 'Deadstar 2' continues to mark him out…
More thematically consistent than the sonic grab-bag of '99.9%', Kaytranada's…
Your email address will not be published.
This site uses Akismet to reduce spam. Learn how your comment data is processed.