On ‘Honeymoon’, Lili Trifilio’s Beach Bunny deliver a concise, ultra-economical debut album of accessible and emotionally engaging indie-pop.
While all the elements that made Archy Marshall’s first two King Krule albums so great are present, they’re disappointingly submerged on ‘Man Alive!’
With a superabundance of frantic, noisy riffing and howling vocals, ‘God Damn’ is a return to form for the Wolverhampton trio.
A thematic and true sequel to his previous Tame Impala masterpieces, Kevin Parker ruminates on the nature of time on ‘The Slow Rush’.
Jeremy Warmsley and Elizabeth Sankey’s first Summer Camp album in five years, ‘Romantic Comedy’ is a completely brilliant analysis and subversion of pop culture’s presentation of love.
With their tongue-in-cheek take on the state of the world set to jaggy, DIY indie-punk, Mush’s debut album ‘3D Routine’ is a great first effort.
Catchy deep cuts and emotive, personal songwriting make Elly Jackson’s long-awaited third La Roux album ‘Supervision’ a success.
Rachel Aggs’ latest Shopping album ‘All Or Nothing’ finds their wiry, anxious and kinetic post-punk formula very much un-messed with.
A document of recovery from Channy Leaneagh’s terrifying accident last year, ‘When We Stay Alive’ quietly demands your attention.
Green Day’s deliberately economical 13th album ‘Father Of All…’ represents a minor late-career upswing, full of energy and spirit.
