Teaming up with Steve Albini, ’24/7 Rock Star Shit’ is the all-out punk record that The Cribs have been threatening to make for years.
The award-winning soundtrack for Robert Pattinson’s new crime drama ‘Good Time’ represents some of Daniel Lopatin’s very best work.
Although it was so quiet you could hear hand-dryers in the bathrooms, Kurt Wagner and Lambchop pulled off a beautiful and intimate set.
Girl Ray’s eagerly awaited first full-length ‘Earl Grey’ fulfills all the requirements for a promising and entertaining debut.
Fightmilk’s third EP ‘Pity Party’ sees the self-styled “popular” “Uxbridge” “band” full of brilliantly obnoxious attitude and having tremendous fun.
Passion Pit’s fourth album ‘Tremendous Sea Of Love’ is far too good to have been given away for free on Twitter.
Now on their fifth album, ‘A Black Mile To The Surface’ shows Manchester Orchestra fully in tune with what its audience expects.
Anything other than a terrific album from Arcade Fire feels like a let-down, and on ‘Everything Now’ we have to face just that.
Mark E Smith’s 32nd studio album ‘New Facts Emerge’ is one half of a classic Fall record.
Following a successful debut album, Childhood have taken their time over its follow-up ‘Universal High’, and it pays dividends.
