A chilled and easy-going mix of folk, pop and indie, ‘Music’ will hopefully be a breakout moment for Mac DeMarco-approved Benny Sings.
Processing other bands’ better ideas without originality, The Snuts’ debut album ‘W.L.’ is as landfill as indie can get.
Dry, inventive and intelligent, Dry Cleaning’s ‘New Long Leg’ represents one of British post-punk’s most promising debut albums in years.
Delicate, polished but ultimately a bit anonymous, ‘DEACON’ loses its identity in Josiah Wise’s pursuit of perfection.
Inventive, energetic avant-pop bears up heavy thematic material on Tune-Yards’ dense latest effort ‘sketchy.’.
While it perhaps won’t have the same impact as previous releases, ‘Chemtrails Over The Country Club’ is an artful evolution of Lana Del Rey’s image and persona.
Former East India Youth man William Doyle’s latest album ‘Great Spans Of Muddy Time’ is populated exclusively by ideas executed better by other artists.
‘Show Me How You Disappear’ is Jilian Medford’s most emotionally open Ian Sweet album yet.
Consisting of two lengthy compositions, Benjamin John Power’s latest Blanck Mass album ‘In Ferneaux’ is as frustrating as it is inventive.
‘The Shadow I Remember’ is as essential as Cloud Nothings have ever sounded, a collection of taut and cathartic meld of garage punk and post-hardcore.
