Defined by a sense of energy and economy, Richard Hawley’s eighth solo album ‘Further’ is a display of songwriting precision.
Hannah Rodgers blooms as a writer and claims an identity and sound of her own with her second Pixx album ‘Small Mercies’.
Thrilling riffs and humorous lyrics make the four-year wait for the new Dinosaur Pile-Up album ‘Celebrity Mansions’ worth it.
Saul Milton and Will Kennard’s fifth Chase & Status album ‘RTRN II JUNGLE’ struggles to become anything more significant than a flat genre exercise.
Delivered with restless energy and no small amount of humour, Mush’s debut EP ‘Induction Party’ continues to mark them out as one of the best British indie hopefuls.
Doya Beardmore’s first Skinny Pelembe album ‘Dreaming Is Dead Now’ is a laid-back mixture of R&B, folk and indie.
Lou Barlow and Jason Loewenstein sound like they’re having terrific fun on the latest Sebadoh album ‘Act Surprised’.
Matt Thomson’s claims for The Amazons’ second album ‘Future Dust’ fall short, with a collection of unremarkable rock riffs and bland over-production.
Returning after a short break from music, ‘Reward’ is just as idiosyncratic and compelling as everything else by Cate Le Bon.
Tyron Frampton delivers a blackly humorous state-of-the-nation address on his excellent debut Slowthai album ‘Nothing Great About Britain’.
