The first Flying Lotus album in five years, ‘Flamagra’ sees Steven Ellison exploring his life-long passion for hip-hop but plays it slightly too safe on occasion.
Striking out on her own, Stina Tweeddale’s third Honeyblood album ‘In Plain Sight’ is a successful venture of sharp, incisive tracks.
Tyler, The Creator takes the creative template he established on ‘Flower Boy’ to the next level on stunning new album ‘IGOR’.
After so long at the cutting-edge of post-dubstep, it’s strange to hear Zomby happy to stand still and luxuriate on new EP ‘Vanta’.
While it’s overly long and sometimes commits the cardinal sin for a Carly Rae Jepsen album of being boring, ‘Dedicated’ shows signs of sonic and artistic growth.
A couple of moments aside, ‘A Fine Mess’ EP is a tedious exercise in Interpol-by-numbers.
Machine-tooled for success to the point that it’s utterly unremarkable, the debut album from Lewis Capaldi almost defies analysis.
Adopting a rotating cast of female co-vocalists and embracing more influences than ever before, ‘I Am Easy To Find’ represents the most ambitious album by The National yet.
Meshing her avant-garde and pop sensibilities into a coherent and striking insight on AI learning, ‘Proto’ is another incredible album by Holly Herndon.
An emotionally raw album whose message of survival is disguised under forceful pop-punk, ‘Young Enough’ is a major evolution for Charly Bliss.
