Alicia Bognanno grows ever more confident on Bully’s third album ‘SUGAREGG’, a cathartic soundtrack to picking up the pieces and starting again.
The Killers’ sixth album ‘Imploding The Mirage’ has solid and touching moments amid the usual Springstonian bombast.
The D’Addario brothers’ third album ‘Songs For The General Public’ is the most effective realisation of their aesthetic of classic rock and pop influences so far.
An accomplished debut album of understated, atmospheric folk-rock from Philadelphian Lily McKown that leaves space for future growth.
A return to form, Biffy Clyro’s eclectic eighth album ‘A Celebration Of Endings’ suggests a number of possible futures.
A gorgeous, reflective paean to murdered Chilean musician and activist Victor Jara, James Dean Bradfield’s new solo album ‘Even In Exile’ is an understated gem.
Songs designed for the live arena translate solidly to record on Sea Girls’ debut ‘Open Up Your Head’.
After 17 years, Phil Elverum resurrects The Microphones for a beguiling, cryptic album consisting of one long track.
For every win on Glass Animals’ eclectic third album ‘Dreamland’, there’s another moment of excruciating cringe.
‘Purple Noon’ sees Ernest Greene taking few risks with his Washed Out sound, but the results are nonetheless pleasing.
