The Student Playlist

Showcasing the Best New Music, Curating the Classics

Tag Sony

REVIEW: Bobby Gillespie & Jehnny Beth – ‘Utopian Ashes’ (Sony)

Surprisingly effective country-influenced duets from Primal Scream’s Bobby Gillespie and Savages’ Jehnny Beth on ‘Utopian Ashes’.

REVIEW: CHAI – ‘WINK’ (Sony / Sub Pop)

Advancing their sound in a pop-oriented direction, CHAI sacrifice the effectiveness of their message with sugary third album ‘WINK’.

REVIEW: Joji – ‘Nectar’ (88rising / 12Tone / Sony)

Sleeker and more powerful than his lo-fi early material, George Miller’s second Joji album ‘Nectar’ is a small but noticeable step forwards.

REVIEW: Declan McKenna – ‘Zeros’ (Sony)

Declan McKenna matures and expands his sound on the glam-inspired ‘Zeros’, which brims with moments of vibrancy that outweigh the occasional over-exuberance.

REVIEW: The Strokes – ‘The New Abnormal’ (RCA / Sony)

The first new Strokes album in seven years, ‘The New Abnormal’ is a bold but only partly successful departure from expectations and previous form.

REVIEW: Rex Orange County – ‘Pony’ (Sony)

Alex O’Connor’s major-label debut as Rex Orange County, ‘Pony’ contains all the affectionate charm that has made him such a hot property.

REVIEW: Tyler, The Creator – ‘IGOR’ (Columbia / Sony)

Tyler, The Creator takes the creative template he established on ‘Flower Boy’ to the next level on stunning new album ‘IGOR’.

REVIEW: Solange – ‘When I Get Home’ (Columbia / Sony)

Solange’s surprise new album ‘When I Get Home’ is a meditation on home, dreams, growth and feminine intuition, packaged in futuristic jazz and funk-inspired art-pop.

REVIEW: The Internet – ‘Hive Mind’ (Columbia / Sony)

The Internet’s fourth album ‘Hive Mind’ sees each member’s talents are rendered in the service of the others, making for a record that’s at the peak of contemporary R&B.

REVIEW: The Carters – ‘EVERYTHING IS LOVE’ (Parkwood / Sony / Roc Nation)

Beyonce and Jay-Z put their personal lives under the spotlight on ‘EVERYTHING IS LOVE’, an enjoyable if somewhat flawed trap-influenced album.