Justice’s debut album “Cross” was one of the defining dance records of the 2000s, influencing a decade’s worth of subsequent EDM and pop.
Björk’s sixth studio album ‘Volta’ was yet another startling and original musical vision from one of pop music’s greatest auteurs.
One of the greatest albums of the 2000s, ‘Sound Of Silver’ impressively expanded the sonic and thematic palette of James Murphy’s LCD Soundsystem.
We mark the tenth anniversary of Arcade Fire’s 2007 ‘Neon Bible’ by revisiting a sometimes difficult but ultimately rewarding album.
A colourful adventure playground of album that boasted lethal pop hits, ‘Myths Of The Near Future’ rocketed Klaxons to national fame. But it was all over very quickly…
by Ed Biggs Ten years after the wider world took notice of them for the first time, TV On The Radio have long since cemented their place at the top table of indie acts, consistently releasing albums of outstanding quality and building up an impeccable reputation. With their own, distinctive vision for the ‘rock anthem’ that they’ve re-shaped and re-formulated many times over the years, most recently with 2014’s explicitly danceable
by Ed Biggs Hot Chip’s signature song, the maddeningly catchy chart smash ‘Over And Over’, very quickly became their passport to mainstream attention and remains one of the most distinctive songs of the noughties. However, less attention is paid to its parent album The Warning, which truly displayed the London quintet’s talents after something of a false start.
by Lauren James As The Knife‘s Silent Shout celebrates its 10 year anniversary, it’s necessary to look back on this landmark electronic album, whose aftershocks can still be felt a decade on. As the Swedish duo did most of the album promo wearing masks, the record represents the siblings trying on different identities and shape shifting to expose the grim realities of society. Before the strident politicism and prismatic beats of Shaking
by Ed Biggs The vast majority of albums need a sort of cooling-off period before being considered as a classic, but for Arctic Monkeys’ debut that status was conferred instantly, and with good justification. Not since Definitely Maybe had so many breathless superlatives been uttered about a British guitar debut album, and neither had such massive sales figures been delivered on the back of such hype. This was a band that
by Ed Biggs Ten years ago, a few people must really have believed that Sufjan Stevens was serious about his ambition to record a concept album about all 50 American states. His splendid 2003 album Michigan had set the ball rolling, and while he interrupted the sequence with 2004’s Seven Swans, it was followed with 2005’s Illinois, the album many consider to be his magnum opus. In fact, Stevens was so