‘Panic On’ serves as a clearing house for Leeds quartet Fudge.’s previous excellent singles.
Explicitly political and unflinching in its analysis of American society’s malaise, ‘The Unraveling’ is a barely disguised expression of revulsion.
‘Sanctuary’, Gengahr’s third studio album, suffers from a lack of distinctiveness despite a small clutch of career highlights.
A song cycle of friendship, desire and regret, ‘The Neon Skyline’ shows that Andy Shauf continues to blossom as a songwriter.
Twin Atlantic’s bid for stadium glory, ‘Power’ is sadly blustery and critically lacking in invention and emotion.
More technically precise, sonically diverse and politically urgent than ever before, Algiers’ third album ‘There Is No Year’ is essential listening for indie fans.
A bland and often banal mish-mash of elements from their four previous albums, Bombay Bicycle Club’s grand comeback is a serious disappointment.
More confident and less self-conscious than her already accomplished debut, Georgia Barnes’ ‘Seeking Thrills’ is a thoroughly enjoyable modern if occasionally safe pop experience.
More confident and stylised than their debut, the emotional depth of The Big Moon’s ‘Walking Like We Do’ becomes apparent after multiple listens.
Smokepurpp’s latest mixtape ‘Deadstar 2’ continues to mark him out as one of Florida’s finest new wave rappers.
