Saul Milton and Will Kennard’s fifth Chase & Status album ‘RTRN II JUNGLE’ struggles to become anything more significant than a flat genre exercise.
Delivered with restless energy and no small amount of humour, Mush’s debut EP ‘Induction Party’ continues to mark them out as one of the best British indie hopefuls.
Doya Beardmore’s first Skinny Pelembe album ‘Dreaming Is Dead Now’ is a laid-back mixture of R&B, folk and indie.
Lou Barlow and Jason Loewenstein sound like they’re having terrific fun on the latest Sebadoh album ‘Act Surprised’.
Matt Thomson’s claims for The Amazons’ second album ‘Future Dust’ fall short, with a collection of unremarkable rock riffs and bland over-production.
Returning after a short break from music, ‘Reward’ is just as idiosyncratic and compelling as everything else by Cate Le Bon.
Tyron Frampton delivers a blackly humorous state-of-the-nation address on his excellent debut Slowthai album ‘Nothing Great About Britain’.
The first Flying Lotus album in five years, ‘Flamagra’ sees Steven Ellison exploring his life-long passion for hip-hop but plays it slightly too safe on occasion.
Striking out on her own, Stina Tweeddale’s third Honeyblood album ‘In Plain Sight’ is a successful venture of sharp, incisive tracks.
Tyler, The Creator takes the creative template he established on ‘Flower Boy’ to the next level on stunning new album ‘IGOR’.
