Lianne La Havas mines relationship trauma to deliver her most sonically and thematically cohesive album to date.
On ‘Flower Of Devotion’, Chicago post-punk trio Dehd make the most of the opportunity to expand their sound and still sound recognisable.
A perfect soundtrack for uncertain, anxious times as well as a finessing of their own art form, ‘Ultimate Success Today’ is Protomartyr’s best album yet.
‘Transfiguration Highway’, the sixth album from Canadian indie act Little Kid, is a warm and welcoming record recalling folk from the Sixties and Seventies.
Less summery and shiny than Haim’s previous albums, ‘Women In Music Pt. III’ is a tough, forthright statement of importance.
The first of a planned series of four albums, ‘KiCk i’ is the most ‘pop’ of all of Arca’s albums to date, yet retains the avant-garde cutting edge that has always made her music so compelling.
Fusing funky rhythms with the grit of garage-rock and punk, transatlantic outfit Pottery deliver one of the debuts of 2020 with ‘Welcome To Bobby’s Motel’.
Addressing important issues on gender expectations with style and wit, ‘Kitchen Sink’ is Nadine Shah’s finest album to date.
‘To Love Is To Live’, the debut solo album from Savages’ lead singer Jehnny Beth, is an uncompromising tackling of the dark sides of life as well as a celebration of its highs.
Arriving at a point of revolution and upheaval, ‘RTJ4’ transforms Run The Jewels from rowdy rascals to spiritual soldiers.
