Meadowlark, featuring former internet sensation Kate McGill, deliver a bucolic debut album that fulfills more than two years of promise.
Ernest Greene’s third full-length Washed Out album is perfectly functional and enjoyable, but fails to push the boundaries of chillwave in any discernible direction.
Amber Bain continues her steady and compelling progress with The Japanese House’s fourth EP, ‘Saw You In A Dream’.
Taking an acoustic approach to his entire post-Uncle Tupelo output, ‘Together At Last’ sees Jeff Tweedy showcase the pure aspects of his songwriting.
Despite the title, Imagine Dragons show absolutely no sign of moving forwards from the shiny, anthemic bombast of their previous albums.
With ‘Big Fish Theory’, Vince Staples explores hip-hop’s historic love affair with dance and electronica on a polished, highly enjoyable album.
The former Gossip frontwoman releases her debut solo album ‘Fake Sugar’, but it fails to live up to past glories.
Fleet Foxes’ third album ‘Crack-Up’ is more naturalistic and abstract than its two predecessors.
Now simply a solo vehicle for singer Jonny Pierce, the fourth Drums record is perfectly fine but doesn’t take any risks or offer many variations of the formula.
The outrageously talented Ella Yelich-O’Connor doubles down on her existing sound for her second full-length album ‘Melodrama’.
