El-P and Killer Mike return with their most politically-charged album to date.
Nearly five years in the making, The xx’s third album ‘I See You’ is another triumph, retaining all their established qualities but impressively expanding their sonic palette.
An ambient mood piece consisting of just one 54-minute track, ‘Reflection’ sees Brian Eno come closer than ever to achieving infinity with his music.
Sundara Karma, one of the big hopes for British indie in 2017, deliver an accomplished if slightly anonymous debut that leaves plenty of room of expansion.
‘Night People’ showcases a You Me At Six most people have never seen before, with dark and heavier overtones, but it feels like a natural progression, the band maturing with their listeners.
An insightful selection of brilliantly executed cover versions sits nicely alongside live tracks on this excellent companion piece to TLSP’s ‘Everything You’ve Come To Expect’.
If Joel Zimmerman himself says that ‘W:/2016ALBUM/’ is “rushed” and “slapped together”, how does he expect anybody else to like it?
He may increasingly be a man out of time, but Peter Doherty is still very capable of crafting his old magic on his second solo album ‘Hamburg Demonstrations’.
There’s something incredibly dignified about ‘Blue & Lonesome’, a covers album that shows the Stones as music fans rather than as rock gods.
Natalie McCool’s ‘second debut’ album reaffirms all the raw songwriting talent that has made her one to watch for the last few years – but it still lacks a distinctive sound.
