Cherry Glazerr’s second album ‘Apocalipstick’ makes a more mature but nonetheless vital statement.
‘Yesterday’s Gone’ proves to be a debut album worthy of the hype surrounding young British talent Loyle Carner.
The Proper Ornaments’ second LP ‘Foxhole’ grows naturally out of their debut, full of retro charm indebted to the very best of the 1960s.
‘Modern Ruin’ is a sensational triumph that offers more variety than its predecessor, and cements Frank Carter as a symbol for what hard rock stands for in the 21st century.
Menace Beach’s scuzzy second album ‘Lemon Memory’ continues the good work of their debut, but doesn’t really build on it.
‘Hang’ frequently sounds brilliant, but Foxygen’s noise is occasionally weightless.
Whilst some may have hoped for an experimental masterpiece, or a piece of psych-pop bliss, on Ozcy Mlody, the Flaming Lips have kept true to their Terror sound.
Having done so much to popularise grime as we know it today, Wiley’s 11th and final album ‘Godfather’ sees him bow out in style.
While the production quality and ambition is high throughout ‘Rennen’, Christopher Taylor fails to showcase anything particularly interesting that we have not heard elsewhere, and done better.
With his sixth album ‘Migration’, Simon Green still has a great attention to detail and ability to build nurturing melodies and a rich sense of emotion.
