Anarcho-punks Bad Breeding display more sonic ambition on third album ‘Exiled’, but their masterpiece is still out of reach.
14 years on from their last collaboration, Calexico and Sam Beam once again demonstrate their creative affinity for each other on ‘Years To Burn’.
Mattiel’s second studio album ‘Satis Factory’ doesn’t dwell much on detail but delivers on nostalgia-infused garage rock.
Bedecked with lush strings, sweeping vistas and a cast of restless characters, Bruce Springsteen’s 19th album ‘Western Stars’ displays more passion and drive than bands a third his age.
They were so bizarre when they emerged back in 2007, but Yeasayer are losing their edge with every passing album in 2019 on ‘Erotic Reruns’.
Defined by a sense of energy and economy, Richard Hawley’s eighth solo album ‘Further’ is a display of songwriting precision.
Thrilling riffs and humorous lyrics make the four-year wait for the new Dinosaur Pile-Up album ‘Celebrity Mansions’ worth it.
The first Flying Lotus album in five years, ‘Flamagra’ sees Steven Ellison exploring his life-long passion for hip-hop but plays it slightly too safe on occasion.
Machine-tooled for success to the point that it’s utterly unremarkable, the debut album from Lewis Capaldi almost defies analysis.
Adopting a rotating cast of female co-vocalists and embracing more influences than ever before, ‘I Am Easy To Find’ represents the most ambitious album by The National yet.
