by Ed Biggs Whenever a new band breaks out and receives hype from the music press, the reaction from the general public is often sceptical or scornful. “They’ll never be as big as The Beatles” was something that generations of new music lovers have from their parents or grandparents. But for a fleeting period in the mid-nineties, Oasis actually were, and that status came off the back of their gargantuan second
by Ed Biggs Always one of the most underrated and overlooked groups of the ‘90s, Garbage were prime movers of the alternative rock trend that exploded in America that decade, at around the same time that Britpop was doing likewise across the Atlantic. Formed of three American producers and musicians – including Nirvana producer Butch Vig – plus their fiery Edinburgh-born Shirley Manson with her shock of red hair and streak
by Ed Biggs About to release their eighth studio album Born In The Echoes next month, The Chemical Brothers’ stellar career has begun its third decade: funny to think it all began because the Beastie Boys’ production team wanted their name back. Known at the very beginning of their career as The Dust Brothers, Tom Rowlands and Ed Simons were DJs who began to make their own music using basic samplers
by Ed Biggs While The Verve may be more famous for their hugely successful third album Urban Hymns (1997), its 1995 predecessor A Northern Soul deserves to be mentioned in the same breath. The sound that would bring them mainstream success two years later, a powerful brand of alternative rock with strong elements of prog and distortion – think Oasis and Spiritualized in equal parts – really began to take shape
by Ed Biggs When we talk about classic albums and great artists on this site, we often talk about their ‘imperial phase’: that period during their career where everything they touch turns to gold, the critics and fans are united in adoration, and the material remembered and revered years down the line. Often, that period only seems golden with the benefit of hindsight, when the artist in question isn’t producing work
by Ed Biggs I Should Coco, the first album by Oxford three-piece Supergrass, is not only one of the crown jewels of the Britpop era but is usually thought of as one of the most deliriously fun debuts in pop history. Seriously, without listening to the album, just think of all its joyous moments: ‘Caught By The Fuzz’, ‘Strange Ones’, ‘Mansize Rooster’, and ‘Alright’… and you’re grinning already, aren’t you?
by Ed Biggs With their penchant for alcohol and short, sweet lo-fi songs, Dayton’s Guided By Voices are regarded as one of the defining underground bands of the ‘90s. Their unpretentious brand of hook-laden indie rock, compressed into minute-long song sketches, has captured the hearts of their small but utterly dedicated fanbase ever since their inception in the mid-‘80s. After nearly a decade of slogging, and having finally gained some