Lucy Rose’s third album ‘Something’s Changing’ represents a huge artistic leap forwards.
The prolific Mark Kozelek recruits Parquet Courts bassist Sean Yeaton for his latest collaborative project.
Shawn Carter’s elder statesman role in hip-hop is long since secured, but ‘4:44’ doesn’t particularly add to his legacy, failing to make its desired social commentary stick in the mind.
Beach House haven’t broken any barriers with their ’B-Sides And Rarities’, but they continue to please their forever-dedicated fans.
Vampire Weekend bassist Chris Baio convincingly strikes out on his own once again with his second solo album ‘Man Of The World’.
Meadowlark, featuring former internet sensation Kate McGill, deliver a bucolic debut album that fulfills more than two years of promise.
Ernest Greene’s third full-length Washed Out album is perfectly functional and enjoyable, but fails to push the boundaries of chillwave in any discernible direction.
Amber Bain continues her steady and compelling progress with The Japanese House’s fourth EP, ‘Saw You In A Dream’.
Taking an acoustic approach to his entire post-Uncle Tupelo output, ‘Together At Last’ sees Jeff Tweedy showcase the pure aspects of his songwriting.
Despite the title, Imagine Dragons show absolutely no sign of moving forwards from the shiny, anthemic bombast of their previous albums.
