London Grammar bust out of the monotony of their first two albums with ‘Californian Soil’, their most vivid, experimental and powerful project yet.
A chilled and easy-going mix of folk, pop and indie, ‘Music’ will hopefully be a breakout moment for Mac DeMarco-approved Benny Sings.
Processing other bands’ better ideas without originality, The Snuts’ debut album ‘W.L.’ is as landfill as indie can get.
Dry, inventive and intelligent, Dry Cleaning’s ‘New Long Leg’ represents one of British post-punk’s most promising debut albums in years.
Delicate, polished but ultimately a bit anonymous, ‘DEACON’ loses its identity in Josiah Wise’s pursuit of perfection.
While it houses some real gems in its first half, Ben Howard’s fourth album ‘Collections From The Whiteout’ feels long-winded and occasionally directionless.
Inventive, energetic avant-pop bears up heavy thematic material on Tune-Yards’ dense latest effort ‘sketchy.’.
A yearning, spiritual jazz masterpiece augmented by minimalist electronica and symphonic elements, ‘Promises’ is a seamless fusion of genres.
After a prolonged battle with debilitating aural conditions, Peter Silberman revives The Antlers for the guardedly optimistic ‘Green To Gold’.
‘Today We’re The Greatest’ is a fine evolution for Australian indie-pop outfit Middle Kids, but one that perhaps lacks a bit of innovation.
