Jonny Pierce’s songwriting maintains its sense of purpose on ‘Brutalism’, as he continues to marshal The Drums solo.
Full of teenage angst, drama, insecurity and insight, ‘When We All Fall Asleep, Where Do We Go?’ shows why Billie Eilish has been quite such a divisive figure.
Belgian trio Brutus meld post-hardcore, black metal and hard rock to make some thrilling compounds on their sophomore album ‘Nest’.
As technically accomplished and emotionally affecting as ever, American Football’s third self-titled album continues to make the band’s reunion worthwhile.
American indie icon Mary Timony re-assembles Ex Hex for a fun, if predictable, second album of garage-punk in ‘It’s Real’.
The first album from former Rilo Kiley singer Jenny Lewis in five years, ‘On The Line’ is an immersive break-up album with a polished surface of nostalgia.
A confident album of narrative alt-rock world building, Nilüfer Yanya’s debut record ‘Miss Universe’ introduces the public to a fresh voice.
Exuding beauty and menace in equal measure, These New Puritans’ fourth album ‘Inside The Rose’ is another avant-garde triumph.
Spanning 10 years, three albums and an EP, ‘The Beirut School’ is an excellent snapshot of what makes Lebanese indie-pop activists Mashrou’ Leila so compelling.
Shabaka Hutchings’ brilliant career continues with the invigorating sophomore record from The Comet Is Coming.
