Kristian Matsson springs few surprises on his fifth The Tallest Man On Earth album.
Polly Louisa Salmon’s latest GFOTY EP sees her revel in parodying and satirising modern pop trends, while having tremendous fun to boot.
Grasping a much-ignored truth that poetry and romance have a place in punk rock, Fontaines D.C.’s debut album ‘Dogrel’ is a modern classic.
Rounding off the ‘beach series’ in style, Anderson .Paak’s third album ‘Ventura’ is yet another masterful creation of hip-hop, soul, disco and funk.
Looking to their past for inspiration but skillfully avoiding the traps of cheap nostalgia, ‘No Geography’ is the best Chemical Brothers album in 20 years.
Bringing in electro-pop producer Richard X for their fifth album ‘Love Is All You Love’ was a necessary but not entirely successful attempt at change for Band Of Skulls.
Teaching listeners to embrace their dysfunctions, ‘Morbid Stuff’ is the angriest and yet most empathetic PUP record to date.
Natalie Mering’s fourth Weyes Blood album ‘Titanic Rising’ is a significant leap forwards, an exercise in the application of nostalgic influences to create something thrilling, moving and contemporary.
Mixing their literacy and charm with a new-found love for the off-kilter and psychedelic, ‘Interview Music’ is Idlewild’s best album in 15 years.
Worn-out musical inspirations and lazy songwriting make Circa Waves’ third album ‘What’s It Like Over There?’ a significant let-down.
