Sasami Ashworth’s satisfying debut album combines varied instrumentation and well-meshed harmonies with bare emotion.
The departure of bassist Walter Gervers is just one way in which ‘Everything Not Saved Will Be Lost’ is a new era for Foals.
On her debut album proper ‘GREY Area’, Little Simz demonstrates why she’s been one of UK hip-hop’s most hyped properties for so long.
TEEN’s fourth album ‘Good Fruit’ once again demonstrates the Lieberson sisters’ unique ability to examine the ups and downs of human relationships.
Perfectly capturing the human experience of love, heartache and the struggle for autonomy, Julia Jacklin’s sophomore album ‘Crushing’ is an emotional triumph.
The sound of frustration and anger in 2019 put to music, ‘Eton Alive’ is everything that fans have come to expect from Sleaford Mods, but is unlikely to expand their fanbase.
On their third album ‘Strange Creatures’, Drenge tweak and experiment with their hard, fast and loud post-grunge racket, with compelling results.
Written and recorded almost entirely by singer Jake Webb, Methyl Ethel’s third album ‘Triage’ takes too few risks to be truly great.
The 14th Xiu Xiu album ‘Girl With A Basket Of Fruit’ sees Jamie Stewart push their experimental tendencies even further than usual, and the results are astonishing.
A decade into their career, White Lies show more signs of evolving their grey, monolithic post-punk sound than ever before on ‘FIVE’.
