With their second album ‘Volcano’, Temples refine and polish the winning formula from their 2014 debut.
The commercial juggernaut of Ed Sheeran will rumble on, and nothing anybody will say about ‘÷’ will make any difference. That said, it’s crushingly average.
Thundercat harnesses the sonic excesses of his previous production work and ideas to make a coherent, fun album that makes even more sense when intoxicated.
A second BJM album in four months shows Anton Newcombe’s gifts for psychedelia are as sharply honed as ever.
The Pigeon Detectives’ fifth album ‘Broken Glances’ attempts their biggest musical evolution yet, but the results are extremely mixed.
It’s hard to believe Los Campesinos! have been around for 10 years, but their sixth album ‘Sick Scenes’ finds them in strong form.
The first of FIVE King Gizzard albums to be released in 2017, ‘Flying Microtonal Banana’ is business as usual for the Aussie psych-rockers.
Minnesotan indie four-piece Hippo Campus’ debut album ‘landmark’ lives up to the sterling live reputation they’ve built themselves over the last four years.
Although it feels like he’s been around forever, ‘Gang Signs & Prayer’ is Stormzy’s debut studio album proper. While sometimes overly commercial, it represents another significant milestone for grime.
After five years of silence, David Longstreth delivers a break-up album of rare insight and unpretentious, interesting execution.