After 20 years and nine Foo Fighters albums of straight-down-the-line power rock, you know what to expect from ‘Concrete And Gold’. But is that really enough?
Joyous, highly melodic indie power-pop from Toronto’s Alvvays on their second album ‘Antisocialites’.
Rap-rock veteran supergroup Prophets Of Rage make an entertaining and relevant protest album for 2017.
The Toronto duo offer up another dosage of rhythmic riffs on their 3rd studio album.
Sparks’ first studio album in eight years, ‘Hippopotamus’, is either brilliant or naff depending on your outlook, but it’s most definitely enjoyable.
Deerhoof’s 14th album ‘Mountain Moves’ is a compelling array of diverse styles that only accomplished veterans can emulate.
Sleep Well Beast represents a change in the sound of the band, but, fundamentally, is a record which makes sense in their discography, but that isn’t to say that it isn’t one of the most well-crafted and interesting listens of 2017.
Mount Kimbie’s third album ‘Love What Survives’ sees them go further down the path of third-party collaboration with their post-dubstep sound, and it’s enjoyable without being definitive.
Zola Jesus’ fifth album ‘Okovi’ is the sound of a confident, distinctive artist constantly evolving and adjusting her own sound.
Idlewild lead singer Roddy Woomble delivers a minimalist but thoroughly familiar and pleasing experience on fourth solo album ‘The Deluder’.
