A deep dive into personal grief and loss, ‘There Will Be No Intermission’ is Amanda Palmer’s most intense work yet.
With her breakout hit nearly two years behind her, Sigrid’s long-awaited debut album ‘Sucker Punch’ pays out on that early promise.
On her remarkable debut album ‘Beware Of The Dogs’, Australian newcomer Stella Donnelly shows herself to be a ferocious, funny and deeply empathetic songwriter.
The departure of bassist Walter Gervers is just one way in which ‘Everything Not Saved Will Be Lost’ is a new era for Foals.
Having worked with Kevin Morby and The War On Drugs as a guitarist, Meg Duffy shows herself to be a classy and poignant songwriter on her second Hand Habits album ‘placeholder’.
Musically speaking, not much is new on Pond’s eighth album ‘Tasmania’, except for Nick Allbrook’s weighty cynicism about the future of humanity.
On her debut album proper ‘GREY Area’, Little Simz demonstrates why she’s been one of UK hip-hop’s most hyped properties for so long.
Snapped Ankles’ second record ‘Stunning Luxury’ is a whirring, unsettled mix of post-punk, krautrock and electronica, and is frequently absolutely brilliant.
A carefully layered album of electropop and indie, the four-year wait for Amber Bain’s debut LP as The Japanese House, ‘Good At Falling’, was worth it.
Solange’s surprise new album ‘When I Get Home’ is a meditation on home, dreams, growth and feminine intuition, packaged in futuristic jazz and funk-inspired art-pop.
