On her fourth album ‘All Mirrors’, Angel Olsen effortlessly evolves into a synth-rock queen, embracing emotional turbulence and upheaval.
Although masterful in places, Wilco’s 11th album ‘Ode To Joy’ is hamstrung by flat, damp production and some uninspired writing.
On ‘Under Your Sky’, The Sherlocks deliver a criminally unimaginative sophomore album that serves as a whistle-stop tour of indie-rock’s clichés.
Although perhaps not as cutting-edge as ‘Atrocity Exhibition’, ‘uknowhatimsayin¿’ is Danny Brown’s most consistent effort.
Expressed with profound humanity, ‘Ghosteen’ is the most beautiful music that Nick Cave has ever made.
On their third album ‘Hot Motion’, Temples unfortunately over-polish their sound and lose many of the winning characteristics that made them so satisfying.
A hulking beast of bleak experimentalism, Girl Band’s second effort ‘The Talkies’ is bewildering yet emotionally cathartic.
Canadian indie-rock veterans The New Pornographers keep things very much the same as ever on eighth album ‘In The Morse Code Of Brake Lights’ – and that’s a great thing.
Noel Gallagher’s latest EP ‘This Is The Place’ is a psychedelic indulgence in Madchester-inspired nostalgia.
Danish trio Efterklang return after a seven-year break with the entrancing ‘Altid Sammen’, their first album to be sung entirely in their native tongue.
