Formed by ex-Hüsker Dü lead singer Bob Mould, Sugar’s debut album ‘Copper Blue’ was a melodious grunge-pop masterpiece that finally brought its creator the success he deserved.
Pavement’s 1992 debut album ‘Slanted And Enchanted’ defined and influenced a decade of American indie and underground music.
25 years on, Richard D. James’ first album as Aphex Twin stands up as one of the key markers in the evolution of British electronica.
Released in 1991, ‘Loveless’ expanded the boundaries for guitar music’s potential, re-marking the pitch upon which the game was to be played.
The story of the diamond-selling pop culture phenomenon, and the effect it had on Kurt Cobain.
One of the very few dance records that isn’t tied to its era, ‘Screamadelica’s timelessness was cemented by how it doubled back on rock history, rearranging the past so it pointed to the future, and is arguably the most far-reaching piece of musical exploration in pop’s vast canon.
by Ed Biggs Any discussion of Smashing Pumpkins’ career tends to get dominated by their twin masterpieces, Siamese Dream (1993) and Mellon Collie And The Infinite Sadness (1995). Which is fair enough, as these are unquestionably two of the greatest alternative rock records of the nineties, testament to Billy Corgan’s unique vision for heavy rock, but crucial in explaining those albums’ successes is the group’s debut Gish.
by Ed Biggs 25 years after its release, it’s difficult to conceive of how different British urban music might sound if it wasn’t for Massive Attack. The Bristol trip-hop collective’s debut album Blue Lines did an enormous amount to broaden the horizons for the fledgling British urban music scene. Chief producer Andy ‘Mushroom’ Vowles adopted the sampling and production culture of American hip-hop and filtered it through the aesthetics of the
by Ed Biggs Marking pretty much the precise point at which dance music became epic, Alex Paterson turned an on-off DJing gig into a fully-fledged project with The Orb’s first studio album after years of EPs and singles. Sprawling over nearly two hours, The Orb’s Adventures Beyond The Ultraworld certainly doesn’t short change on the promise of its title.
by Ed Biggs A quarter of a century after the release of Spiderland, the second and final studio album by the short-lived Louisville four-piece Slint, it’s extremely difficult to imagine the state of the modern guitar music scene without it. Released on Corey Rusk’s Chicago-based Touch And Go label, one of the impressive network of indies that made up the 1980s American underground, it sold virtually nothing at the time, and