Lorely Rodriguez bounces back with her third album ‘I’m Your Empress Of’, more expressive and personal than her previous works.
On second album ‘Viscerals’, stoner metal outfit Pigs x7 condense their artistry into smaller chunks but lose none of their artistry or intensity.
Stephen Bruner’s third Thundercat album ‘It Is What It Is’ is enormous fun and projects a message of acceptance, of living in the moment.
An album suffering a slight identity crisis, split between jazz, electronica and punk, ‘100% Yes’ is a blip for the talented Melt Yourself Down.
A curate’s egg only of interest to hard-bitten Sufjan fans, ‘Aporia’ is a series of frustratingly half-formed good ideas recorded with his stepfather Lowell Brams.
Nandi Rose Plunkett’s second Half Waif album ‘The Caretaker’ is a beautiful and dark record, exuding resilience and vulnerability in equal measure.
Wearing experience and determination like a badge of courage, Katie Crutchfield’s fifth Waxahatchee album ‘Saint Cloud’ is her finest so far.
Recorded after years of personal struggle, Holly Lapsley Fletcher’s long-awaited second album ‘Through Water’ is therapeutic and cathartic.
Grittier, darker and more emotionally honest than anything he’s ever done, ‘After Hours’ represents a step forward for Abel Tesfaye.
Nocturnal vignettes of the modern dating landscape, ‘The Night Chancers’ is Baxter Dury’s most complete album yet.
