The Student Playlist

Showcasing the Best New Music, Curating the Classics

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CLASSIC ’70s: David Bowie – ‘Low’

Arguably the most radical reinvention of David Bowie’s chameleonic career, ‘Low’ is one of the very finest artistic achievements of the 1970s.

REVIEW: Hope Sandoval & The Warm Inventions – ‘Until The Hunter’ (Tendril Tales)

Comfortingly familiar, ‘Until The Hunter’ is minimal, understated and refreshingly free of anything overly complex.

CULT ’90s: My Bloody Valentine – ‘Loveless’

Released in 1991, ‘Loveless’ expanded the boundaries for guitar music’s potential, re-marking the pitch upon which the game was to be played.

LIVE PREVIEW: Band Of Skulls @ Stylus, Leeds University Union, 20/10/2016

Southampton-based trio Band Of Skulls are heading up north next Thursday in the first of their seven UK dates this October. Playing Leeds University’s Stylus, the band’s much-anticipated tour follows the release of their fourth album, By Default. Russell and co. seem to have an affinity with Leeds, returning to the city after their appearance at Live at Leeds in April, where they secured (and fulfilled) a spot just behind

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CLASSIC ’60s: The Beatles – ‘Revolver’

by Ed Biggs By the time 1966 rolled around, The Beatles had unquestionably re-asserted their primacy in British pop music as a creative force, in addition to their long-standing commercial triumphs which had never shown any sign of flagging. Rubber Soul, hot on the heels of Help! in 1965, had been one of pop’s greatest artistic achievements, and their relentless touring schedule had ground on in the face of exhaustion. But

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PROFILE: SFA OK! An Introduction to Super Furry Animals

by Ed Biggs With their debut studio album marking its 20th anniversary of its release in May 2016, it is well beyond time that the Super Furry Animals were recognised as the geniuses they are. With the exception of the globe-conquering success of Radiohead, the Furries are the most original and consistently inventive British indie group of the last quarter of a century. Arguably the last great Creation Records band and

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CULT ’90s: The Orb – ‘The Orb’s Adventures Beyond The Ultraworld’

by Ed Biggs Marking pretty much the precise point at which dance music became epic, Alex Paterson turned an on-off DJing gig into a fully-fledged project with The Orb’s first studio album after years of EPs and singles. Sprawling over nearly two hours, The Orb’s Adventures Beyond The Ultraworld certainly doesn’t short change on the promise of its title.

REVIEW: Liima – ‘ii’ (4AD)

by Ollie Rankine It’s nearly four years since the release of Efterklang’s Piramida, and after recently recruiting Finnish percussionist, Tatu Rönkkö the Scandinavian trio have eventually returned under their new name Liima with debut album, ii. Following four week-long bouts of writing in Finland, Berlin, Istanbul and Madeira, Liima have matured from Efterklang’s previous four albums by establishing a far more complex sound.

REVIEW: The Coral – ‘Distance Inbetween’ (Ignition)

by Ed Biggs Once upon a time, The Coral were one of the most inspired and promising new bands of the British indie scene, standing out even among a glut of bright young things that emerged in 2002 with their bold, psychedelic slant on Britpop. That year’s self-titled debut album remains one of the best debuts of the decade, with the jaunty ‘Dreaming Of You’ becoming an indie disco staple. Maintaining

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