Returning after a seven-year hiatus, The Neptunes’ recording vehicle N*E*R*D* still suffers from the same flaws and lack of consistency on ‘No_One Ever Really Dies’.
Marshall Mathers’ latest attempt at resuscitating his credibility on his ninth Eminem album ‘Revival’ tries hard, but leaves very little impression on the listener’s memory.
‘Songs Of Experience’ is a conscious, concerted effort from four men nearing their 60s to seize the zeitgeist and sound relevant in 2017.
Björk’s flute-heavy ninth album ‘Utopia’ is one of her most enchanting and meditative to date.
Fizzing with invention and the spirit of experimentation, ‘Who Built The Moon?’ finally delivers on the rhetoric that Noel Gallagher has been exhorting for nearly two decades.
‘Rest’ isn’t an unmitigated success and there are times where the experimentation misses the mark, but, on album five, Charlotte Gainsbourg sounds as free as ever.
With a handful of unfortunately necessary oversights due to space constraints, Green Day’s latest greatest hits comp ‘God’s Favorite Band’ is a solid but unspectacular career overview.
Romaplasm fills the chasm between the guy posting anime screencaps on his twitter account, and the Baths of ‘Obsidian’, to charming results.
Psychedelic garage rock veteran John Dwyer continues his prodigious output rate by returning to his OCS moniker on ‘Memory Of A Cut Off Head’.
Aside from the controversy surrounding its release, Morrissey’s 11th studio album ‘Low In High School’ is an exhausting listen that tries too hard to hammer home the socio-political commentary.
