King Gizzard & The Lizard Wizard use psychedelia to regress to innocence and childhood on ‘Fishing For Fishies’.
Fifth album ‘Laughing Matter’ sees Wand drift further from their garage-rock roots and into new psychedelic worlds.
More dynamic and diverse than anything they’ve done before, ‘Serfs Up!’ is where the hype around Fat White Family is finally justified.
Flitting between heartbreak, female empowerment and braggadoccio, ‘Cuz I Love You’ should finally see Lizzo break into the mainstream.
A confident and characterful debut by Jade Bird is another reminder of the importance of female agency in the music industry.
Sophomore effort ‘Not Waving, But Drowning’ buttresses the reputation of Loyle Carner as one of the most intelligent and empathetic voices in British music.
‘Social Cues’ represents a significant revival of artistic fortunes for Matt Shultz and Cage The Elephant.
Kristian Matsson springs few surprises on his fifth The Tallest Man On Earth album.
Polly Louisa Salmon’s latest GFOTY EP sees her revel in parodying and satirising modern pop trends, while having tremendous fun to boot.
Grasping a much-ignored truth that poetry and romance have a place in punk rock, Fontaines D.C.’s debut album ‘Dogrel’ is a modern classic.
