Snapped Ankles’ second record ‘Stunning Luxury’ is a whirring, unsettled mix of post-punk, krautrock and electronica, and is frequently absolutely brilliant.
A carefully layered album of electropop and indie, the four-year wait for Amber Bain’s debut LP as The Japanese House, ‘Good At Falling’, was worth it.
Solange’s surprise new album ‘When I Get Home’ is a meditation on home, dreams, growth and feminine intuition, packaged in futuristic jazz and funk-inspired art-pop.
Sundara Karma emulate the glories of their debut with second album ‘Ulfilas’ Alphabet’, this time relying more on texture than anthemic songwriting.
‘Compliments Please’ is a confident and highly successful divergence from Slow Club for Rebecca Taylor.
TEEN’s fourth album ‘Good Fruit’ once again demonstrates the Lieberson sisters’ unique ability to examine the ups and downs of human relationships.
Perfectly capturing the human experience of love, heartache and the struggle for autonomy, Julia Jacklin’s sophomore album ‘Crushing’ is an emotional triumph.
The sound of frustration and anger in 2019 put to music, ‘Eton Alive’ is everything that fans have come to expect from Sleaford Mods, but is unlikely to expand their fanbase.
Energetic, creative and brilliantly unpredictable, debut album ‘Birthday’ shows why Pom Poko have been one of the most talked-about newcomers in indie.
On their third album ‘Strange Creatures’, Drenge tweak and experiment with their hard, fast and loud post-grunge racket, with compelling results.
