‘You Know I’m Not Going Anywhere’ is a slightly disappointing and anonymous fourth album from The Districts, whose previous output had been so intriguing.
Circa Waves’ fourth release consists of two mini-albums encompassing happiness and sadness. An ambitious concept that’s disappointingly more of the same.
Kieran Hebden’s latest Four Tet album ‘Sixteen Oceans’ is the soundtrack of an artist reflecting on his achievements and exploring many ideas at once.
Porridge Radio’s second studio album ‘Every Bad’ is sharper and more detailed than their 2016 debut.
Sarah Barthel and Josh Carter’s fourth Phantogram album ‘Ceremony’ is like a well-acted film without a strong enough story.
Letting our collective anxiety about the state of the world stew in glacial, literate pop, Meghan Remy’s latest U.S. Girls album ‘Heavy Light’ is different to her previous masterpiece.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘La Vita Nuova’, a surprise new six-track EP from Hélöise Letissier’s Christine & The Queens, expounds on the same themes as 2018’s album ‘Chris’.
Sophie Allison’s second Soccer Mommy album ‘Color Theory’ is much darker and more unflinchingly personal than her sensational debut.
On fifth album ‘The Main Thing’, Real Estate begin their second decade of existence with a wistful, yearning collection that’s a bit too business-as-usual.
