Sarah Barthel and Josh Carter’s fourth Phantogram album ‘Ceremony’ is like a well-acted film without a strong enough story.
Brooding electro-pop duo Phantogram have come a long way since their humble MySpace beginnings. Throughout the decade they’ve been going, they’ve steadily enhanced their reputation over three studio albums, whether that would be through big-name collaborations with the likes of Miley Cyrus, The Flaming Lips and Big Boi, or by earning a fabled feature on the FIFA video game series (which is, undeniably, the pinnacle for any musician).
For their fourth album Ceremony, Sarah Barthel and
Josh Carter venture even further into the gloom that’s shrouded their music
thus far. There’s a noticeable punch to the drums here, while the glitchy
electronics cast more ominous shadows than before. Stabs of melancholy piano
and tumbling breakbeats power lead single ‘Into Happiness’, while
synths whir insistently on cuts such as ‘Let Me Down’ and the off-kilter ‘Gaunt
Kids’. Echoes of trip-hop permeate the album too. Haunting brass samples and
towering beats define ‘Mister
Impossible’ and ‘Love Me Now’ respectively, while Barthel’s vocals aren’t
worlds away from Portishead’s Beth Gibbons’ emotive croon.
Ceremony is solidly produced, but the songwriting
itself doesn’t carry all that much weight. After their flirtations with the
mainstream, it’s surprising that Phantogram haven’t strengthened their melodic
sensibilities. Most of the choruses sadly fall flat; despite the instrumental
promise of ‘Dear God’
and ‘Let Me Down’, the hooks fail to take the songs into a different gear. Barthel’s
lyrics don’t do enough to raise intrigue either, often musing on the ills of
modern society (“I’m a meme on a feed in a spiral” she sings on ‘In A
Spiral’) without making any profound observations.
Ceremony plays out like a well-acted film that
doesn’t have a strong enough story to pull it together. Barthel and Carter are
clearly talented, and they often show why they attracted such high-profile interest
(such as the beautiful title track, which closes the album with a whirling
crescendo). Unfortunately, it isn’t the truest measure of their beguiling skill
set. (6/10) (Matty Watkin)
Listen to Ceremony by Phantogram here via Spotify, and tell us what you think below!
Tags: album, Ceremony, Josh Carter, Phantogram, Republic, Sarah Barthel
'Thirstier' is a dazzlingly executed power move into the mainstream…
Bringing out different textures in her sound, Billie Eilish's songwriting…
Nandi Rose Plunkett sounds more strident and confident on her…
Your email address will not be published.
This site uses Akismet to reduce spam. Learn how your comment data is processed.