Reflecting on age, wisdom and femininity, Laura Marling’s seventh album ‘Song For Our Daughter’ manages to be both mannered and uncompromising.
Stephen Bruner’s third Thundercat album ‘It Is What It Is’ is enormous fun and projects a message of acceptance, of living in the moment.
Wearing experience and determination like a badge of courage, Katie Crutchfield’s fifth Waxahatchee album ‘Saint Cloud’ is her finest so far.
Recorded after years of personal struggle, Holly Lapsley Fletcher’s long-awaited second album ‘Through Water’ is therapeutic and cathartic.
Nocturnal vignettes of the modern dating landscape, ‘The Night Chancers’ is Baxter Dury’s most complete album yet.
Kieran Hebden’s latest Four Tet album ‘Sixteen Oceans’ is the soundtrack of an artist reflecting on his achievements and exploring many ideas at once.
Porridge Radio’s second studio album ‘Every Bad’ is sharper and more detailed than their 2016 debut.
Letting our collective anxiety about the state of the world stew in glacial, literate pop, Meghan Remy’s latest U.S. Girls album ‘Heavy Light’ is different to her previous masterpiece.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘La Vita Nuova’, a surprise new six-track EP from Hélöise Letissier’s Christine & The Queens, expounds on the same themes as 2018’s album ‘Chris’.
