Advancing their sound in a pop-oriented direction, CHAI sacrifice the effectiveness of their message with sugary third album ‘WINK’.
Although more controlled than the chaos of their debut, Black Midi’s second album ‘Cavalcade’ is dynamic, detailed and highly intense.
On the kinetic ‘Black To The Future’, Shabaka Hutchings and Sons Of Kemet sound more urgent and animated than ever before.
Light in places but engaging throughout, Czarface’s second collaboration with MF DOOM ‘Super What?’ is a fitting epitaph for the late rapper.
‘Bright Green Field’ consists of engaging formulations of post-punk, funk, jazz and krautrock executed with manic energy – truly, one of the finest British debuts in recent times.
Marie Ulven’s first full-length girl in red album ‘if i could make it go quiet’ could transform her huge cult fanbase into mainstream success.
A seamless, dynamic blend of digital beats and electro-acoustic instrumentation, Steven Ellison’s soundtrack to Netflix anime ‘Yasuke’ is near flawless.
Well over three decades into their career, J Mascis and Dinosaur Jr. give fans more of what they want on 12th album ‘Sweep It Into Space’.
Easy-going bedroom indie-pop par extraordinaire, there’s absolutely everything right about Tomemitsu’s gorgeous ‘Sun’.
London Grammar bust out of the monotony of their first two albums with ‘Californian Soil’, their most vivid, experimental and powerful project yet.
