Florence Welch’s fourth Florence And The Machine album ‘High As Hope’ is a more mature and grounded experience than her previous efforts, but no less enjoyable.
Kamasi Washington’s latest epic double-album ‘Heaven And Earth’ is another artistic triumph, the band-leader executing ambitious arrangements without irony or pretension.
While the intensity, shock tactics and style fusion is still intact, Death Grips’ sixth album ‘Year Of The Snitch’ veers close to the conventional in some places.
Panic! At The Disco’s ever-evolving aesthetic sees Brendon Urie imagine what a serotonin-pumped Fall Out Boy might have sounded like in the 1920s.
Trent Reznor caps off a recent flurry of Nine Inch Nails output with the diverse, bizarre but often brilliant mini-album ‘Bad Witch’.
Beyonce and Jay-Z put their personal lives under the spotlight on ‘EVERYTHING IS LOVE’, an enjoyable if somewhat flawed trap-influenced album.
Pop music’s most talked-about background figure SOPHIE gives us a glimpse of the artist behind the enigma with a thrilling and hyper-real debut album ‘Oil Of Every Pearl’s Un-Insides’.
‘Hope Downs’ sees Rolling Blackouts Coastal Fever deliver handsomely after two years of hype for their debut album.
Melody Prochet uses ‘Bon Voyage’ to showcase a quite different Melody’s Echo Chamber than the one we remembered from six years ago.
Tying up the loose ends from 2017’s ‘Relatives In Descent’ and throwing in a couple of brilliant collaborations with Kelley Deal, Protomartyr’s ‘Consolation’ EP is another triumph.
