Kieran Hebden’s latest Four Tet album ‘Sixteen Oceans’ is the soundtrack of an artist reflecting on his achievements and exploring many ideas at once.
Letting our collective anxiety about the state of the world stew in glacial, literate pop, Meghan Remy’s latest U.S. Girls album ‘Heavy Light’ is different to her previous masterpiece.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘La Vita Nuova’, a surprise new six-track EP from Hélöise Letissier’s Christine & The Queens, expounds on the same themes as 2018’s album ‘Chris’.
Sophie Allison’s second Soccer Mommy album ‘Color Theory’ is much darker and more unflinchingly personal than her sensational debut.
On fifth album ‘The Main Thing’, Real Estate begin their second decade of existence with a wistful, yearning collection that’s a bit too business-as-usual.
Vibrant, soulful and urgent, Newcastle’s Lanterns On The Lake reach a new level with fifth album ‘Spook The Herd’.
On ‘Honeymoon’, Lili Trifilio’s Beach Bunny deliver a concise, ultra-economical debut album of accessible and emotionally engaging indie-pop.
With a superabundance of frantic, noisy riffing and howling vocals, ‘God Damn’ is a return to form for the Wolverhampton trio.
Catchy deep cuts and emotive, personal songwriting make Elly Jackson’s long-awaited third La Roux album ‘Supervision’ a success.
