Sasami Ashworth’s satisfying debut album combines varied instrumentation and well-meshed harmonies with bare emotion.
A deep dive into personal grief and loss, ‘There Will Be No Intermission’ is Amanda Palmer’s most intense work yet.
With her breakout hit nearly two years behind her, Sigrid’s long-awaited debut album ‘Sucker Punch’ pays out on that early promise.
Having worked with Kevin Morby and The War On Drugs as a guitarist, Meg Duffy shows herself to be a classy and poignant songwriter on her second Hand Habits album ‘placeholder’.
Musically speaking, not much is new on Pond’s eighth album ‘Tasmania’, except for Nick Allbrook’s weighty cynicism about the future of humanity.
On her debut album proper ‘GREY Area’, Little Simz demonstrates why she’s been one of UK hip-hop’s most hyped properties for so long.
Solange’s surprise new album ‘When I Get Home’ is a meditation on home, dreams, growth and feminine intuition, packaged in futuristic jazz and funk-inspired art-pop.
‘Compliments Please’ is a confident and highly successful divergence from Slow Club for Rebecca Taylor.
TEEN’s fourth album ‘Good Fruit’ once again demonstrates the Lieberson sisters’ unique ability to examine the ups and downs of human relationships.
Perfectly capturing the human experience of love, heartache and the struggle for autonomy, Julia Jacklin’s sophomore album ‘Crushing’ is an emotional triumph.
